Mexican artist Fernando Montiel Klint’s “Tiempo Modernos” (Modern Times) series shows contemporary
people struggling through tense interactions The images evoke a range of emotions laced with dark
humor, capturing the balance between life and death by a mood that hangs heavy in the air.
View more of Klint's work, and an article written by Trisha Ziff, in the pages of INSIGHT.
Donde Estas Mama, (2005).
Cuernavaca, (2006).
Oaxtepec, (2006).
Ultrapasteurizada, (2005).
Nirvana, (2006).
Klint’s images are
theatrical constructs.
To watch them in their
creation is to watch
the photographer
dance with light,
engage in disguise,
allow himself to be
seen as he literally
moves into the space
of the scene, invoking
the power of the
cinematic still. The
images are theatrical
and bizarre, fictional
performances, staged
for the camera,
constructed in the
computer. They are
narratives reduced to
one salient frame, but
a scene that
nonetheless never
took place. These
images claim that the
real can only be
captured in its essence
by the simulation. The
idea is the authentic
and the image is the
fiction.

– Trisha Ziff